Место проведенияДворец Berlinale Palast, Берлин, Германия
Дата проведения7 февраля 2013 - 17 февраля 2013
63-й Берлинский международный кинофестиваль прошёл с 7 февраля по 17 февраля 2013 года. Жюри основной конкурсной программы возглавлял гонконгский кинорежиссёр Вонг Карвай. Киносмотр открылся биографическим фильмом его авторства «Великий мастер».
Россия в основной конкурсной программе кинофестиваля была представлена фильмом Бориса Хлебникова «Долгая счастливая жизнь». Кроме того, в программу «Форум» была приглашена лента Светланы Басковой «За Маркса…», в программу GenerationKplus (кино для детей и подростков) — фильм Евы Перволовичи «Маруся» (российско-французская копродукция) и две короткометражки («Зима пришла» Василия Шишкова и «Крот на море» Анны Кадыковой).
Саймон Гросс, Нана Эквтимишвили This year's CICAE Forum jury choose a film that's very strong on both a cinematic and political level. It tells a universal and personal story that plays to a background full of violence. The production design is marvellous and the two young main actresses pulled us in their story and did not let us go, untill this very moment.
Катажина Росланец In this film we were completely unprepared for the extreme way the story unfolds. Its bold editing style, colorful cinematography and innovative direction gave the film great dynamism. The film showed us strong and complex characters who often behaved in contradictory ways. These teenagers seem to be unable to acknowledge their mistakes and take responsibility for them. They are caught between the desire for freedom and the duties of being a young parent.
Nikola Majdak Jr., Ana Nedeljkovic This year's winner conveyed a thought-provoking theme to us combined with ironic merit and dark humor. Simply and effectively, it critiques the political structures we live under and makes us feel slightly uncomfortable about our everyday lives. The film is of worldwide relevance and was presented to us in a highly skilled and original fashion.
Kim Mordaunt After a little boy has lost his home, he and his family embark on tense journey through a spectacular natural landscape. On the way they encounter many dangers, but the boy's biggest task is still ahead of him: he must finally prove that he can also bring good luck.
Matthew Moore A boy in a magic costume knows all about the power of stones and how to use their energy for a particular purpose. He makes a sad woman happy again and also conjured a smile on our own faces.
Su-won Shin Our special mention goes to a film that critiques the educational structures and more broadly society in an original way, reflecting its deep injustices. The characters in this film draw us into a universe of isolation and powerlessness in the face of brutal peer pressure to conform. We felt the cosmic dimensions of the story and the protagonist's sense that, although being alone in school is harsh, being alone in the universe is devastating.
Йенни Тойвониеми Two young people cross paths in an unusual situation. Before you know it, a common procedure develops into an unconventional date. We were convinced by the film's ability to tell us far more than it showed. It presented us with a humorous interaction that didn't immediately reveal the complexity of its themes. The multi-layered meanings of the film stayed with us long after we left the cinema.
Catriona McKenzie An exciting film, shot in magnificent country and with really great music. It gave us a better understanding of the culture of the Aboriginal people in Australia. The film impressed us, especially the excellent acting performances of the two young actors.
Mahdi Fleifel The Danish-Palestinian film director Mahdi Fleifel comes from the refugee camp Ain el-Helweh, one of the oldest camps in the southern part of Lebanon. Together with his father he documents the life of the family and the camp with a camera; with an affectionate gaze and sense of humor over a time period of thirty years. The grueling and hopeless situation of the people inside the camp is obvious as the camp turns into an isolated island. Fleifels memories establish a dense picture of this life in a no man's land. The film is free of the usual patterns classifying the conflicts between Israelis and Palestinians. It thus evolves into a plea for a new peace process in the Middle East. More and more people around the world have to live in refugee camps for long periods of time. They continue hoping for a life in dignity and to be able to return to their homelands.
Себастьян Лелио For its refreshing and contagious plea that life is a celebration to which we are all invited, regardless of age or condition, and that its complexities only add to the challenge to live it in full.
Срджан Голубович For its compelling presentation of the human capacity to overcome seemingly invincible prejudices, and to achieve healing through reconciliation.
Джошуа Оппенхаймер This deeply unsettling film exposes the evil mass murders which took place in Indonesia in 1965 and reveals the monstrosity of these crimes. It re-opens a deep wound with the conviction that it is worthwhile to unearth such atrocities.
Малгожата Шумовска A movie that authentically addresses an issue, long taboo, and at the same time a challenge for the catholic church to finally embrace the many gay priests within its ranks.
Анна Зора Берашед The jury found Anne Zohra Berrached's entry Two Mothers not only compelling in its aesthetic form but also in the profundity of its content and authenticity. With its subtle use of colour and the genuine performances of the two protagonists, the film took a very gentle approach to a political issue without trying to politicize it. Through its outward form and the outstanding direction of the many non-professional actors, the film gives a very convincing portrait of a difficult relationship between two women, and their desire for togetherness and family. With intelligence, the director finds a way to open up a new perspective between the classic genres of documentary and fictional film, one in which both forms have a place and merge.
Kaoru Ikeya For showing a deeply impressive example of the beginning of new life after the Tsunami catastrophe in 2011. The protagonist finds inspiration to rebuild his home in the rich spiritual heritage of Japan.
Anaïs Barbeau-Lavalette For its use of poignant metaphors, images and stories to instill compassion, for foregrounding women's lives and points of view in the context of the Israeli-Palestinian conflict, and for showing that certain life situations make it hard not to take sides.
Феликс ван Грунинген Felix van Groeningen is a real filmmaker. This is a beautiful and original way of looking at a mother and father's relationship with their terminally sick daughter. We especially liked the cinematography, the non-linear structure of the story, and the fact that he avoids easy emotional manipulation while dealing with a tough subject. The music from the parents' bluegrass band is not just the soundtrack but a source of energy and hope for everyone. The clear message is that we must invest in scientific research and not allow religion or politics to interfere.
Катажина Росланец We celebrate a fantastic, strong cinematic voice that confronts harsh realities with unexpected humour and style. Your strong imagery, compelling characters and a hard-hitting narrative captivated us.
Данис Гуле In the short film category the jury would like to thank this filmmaker for taking us into a fascinating world seldom shown on screen. This is a sensitive portrayal of a girl going to extreme and painful lengths to fit in. Your storytelling is important and has strong emotional impact. We are very much looking forward to seeing your future work.
Catriona McKenzie Sometimes you need to leave your home to know where you came from. Two boys set out for a journey across a breathtaking landscape to save their home. Good spirits and their traditions accompany them and help them to find a way back. At the end of the long walk Pete faces big decisions - and gains awareness of his roots.
Evalds Lacis Ever since Jurassic Park we know that "nature will always find a way". It's only natural then that when animals are moved to the city, they quickly learn to play by the local rules. Because human economy is nothing compared to the laws of nature. When concrete jungle turns back into a forest, you know there had to be some hedgehogs involved in that.
Louis Sutherland, Mark Albiston An extremely compelling first film with a fantastic lead actor. We loved watching him on screen and felt a deep empathy with him. Sharp editing, strong visual choices and a complex, painful and loving portrayal of family. We appreciated the specificity of the world you brought us into. Your dedication to your vision is palpable.
Янис Нордс One little lie can change everything, because it often takes an even greater lie to leave things unrevealed. The film touched us deeply, because it gives us a look in the inner conflict of a boy, who learns to take responsibility for his actions and experiences that friendship needs honesty. Congratulation to this wonderful film!
Anders Hazelius We would like to recognize a funny and surprising film that defies expectations. Insecurity and social pressure force two awkward people together to share a moment of beautiful and genuine honesty. This film displays a strong visual style and is the work of an insightful and relevant filmmaker.
Jung-In Kim In order to gain acceptance one needs to learn to accept others. When a girl gives up one of her senses, she enters a new world -- the one of her father. And although she cannot see it through his eyes, it is rich and satisfying. A very enjoyable and subtle impression about a life of blind people and their loved ones.
