Марен Аде A film gorgeously crafted, made with a fresh and a sensitive approach, that captures the complex relationship between father and daughter and comments on the lunacy of today's world.
Shinji Aoyama For its penetrating insights into the lives of survivors of a tragedy, for the formal beauty of the photography, and for the moving performances.
Emilie Deleuze For its profound and moving analysis of personal and professional anxiety in an unique setting. (Note: FIPRESCI lists this film as in the festival's official selection, but it was in the parallel sections.)
