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Amadeus
Amadeus 18+
Country
USA
Runtime
2 hours 40 minutes
Production year
1984
Online premiere
15 September 2015
World premiere
6 September 1984
Release date
| 6 September 1984 | Russia | 16+ | |
| 27 October 1994 | Argentina | ||
| 19 September 2010 | Australia | ||
| 29 November 1984 | Belgium | ||
| 8 October 1984 | Brazil | ||
| 1 January 2003 | Czechia | ||
| 1 August 1986 | Czechoslovakia | ||
| 2 August 2002 | Denmark | ||
| 19 October 1984 | Finland | ||
| 12 June 2002 | France | ||
| 28 February 2002 | Germany | ||
| 26 July 2002 | Great Britain | ||
| 31 October 1984 | Greece | ||
| 13 June 1985 | Hong Kong | ||
| 22 March 1990 | Hungary | ||
| 1 February 1985 | Ireland | ||
| 24 May 2002 | Italy | ||
| 7 September 2002 | Japan | ||
| 6 September 1984 | Kazakhstan | ||
| 4 April 1985 | Mexico | ||
| 6 September 1991 | Netherlands | ||
| 2 October 2010 | Norway | 12 | |
| 5 November 2010 | Poland | ||
| 21 February 1985 | Portugal | ||
| 23 November 1985 | South Korea | ||
| 26 April 2002 | Spain | ||
| 13 September 2002 | Sweden | ||
| 22 April 1985 | Taiwan | ||
| 1 November 1987 | Turkey | ||
| 19 March 2002 | USA | ||
| 6 September 1984 | Ukraine | ||
| 21 March 1985 | Uruguay |
MPAA
PG
Budget
$18,000,000
Worldwide Gross
$52,268,382
Production
The Saul Zaentz Company, AMLF
Also known as
Amadeus, Амадей, Амадеус, Amadey, Peter Shaffer's Amadeus, Amadėjus, Amadeus - El corte del director, Amadeus - ohjaajan versio, Amadeus - version intégrale, Amadeus: El montaje del director, Amadeus: The Director's Cut, Amadeusz, Peter Shaffer's Amadeus: Director's Cut, Sự Đố Kỵ Của Thiên Tài, Αμαντέους, 아마데우스, アマデウス, 莫扎特传, 莫扎特傳, 阿瑪迪斯
Director
Cast
Showtimes
Currently, the film is not showing in cinemas, but we can send you a message when this animated film returns to the box office.
Both Mozart and Salieri are portrayed conducting an orchestra in the modern manner — standing at the front and waving their arms. In the eighteenth century the conductor would typically play the first violin or harpsichord, with the other musicians watching his head and hand movements. It was the expansion of large orchestras in the nineteenth century that obliged the conductor to give up his instrument and assume a more visible position.
Antonio Salieri
[reflecting upon a Mozart score]
On the page it looked nothing. The beginning simple, almost comic. Just a pulse. Bassoons and basset horns, like a rusty squeezebox. And then suddenly, high above it, an oboe. A single note, hanging there, unwavering. Until a clarinet took over and sweetened it into a phrase of such delight! This was no composition by a performing monkey! This was a music I'd never heard. Filled with such longing, such unfulfillable longing, it had me trembling. It seemed to me that I was hearing the voice of God.
